An astounding week for new releases. Some unmissable ones are included in this list.

Clara Mann    Rift       

Influenced by artists like Jacques Brel, Edith Piaf, Judee Sill, and Tom Waits, her debut album navigates the fractured environment of the in-between—those liminal spaces exposed between light and dark, growth and remorse, loss and reclamation. For a taster of this record’s power, have a listen to her gripping Riley and Coe 6 Music session.

The Burning Hell        Ghost Palace               

The band presents their most joyful collection of songs about death to date, always finding something to smile about in the decay. Mathias Kom’s maximalist lyrics are underlined with fluorescent highlighter, with surprising twists and turns through pop culture, animal life, history, architecture, and science fiction.

Will Stratton                 Points of Origin          

The puny, beautiful, sun-bleached lives of truckers, surfers, runaways, drunks, thieves, CIA operatives, foresters, arsonists, lawyers, and painters intertwine, fall apart, and are ultimately reduced to dust in the 10,000 year-long span of Points of Origin, a heartbreaking and expansive album of songs by Will Stratton set in the freeway wilds of California.

Cryptosis         Celestial Death         

A record that showcases the group on a darker, heavier, more melodic and extremely cinematic journey across its 11 tracks / 42 minutes of playing time.

Los Pirañas                    Una Oportunidad más de triunfar en la vida        

Columbian avant/Latin experimentalists who have been pushing the boundaries of instrumental Latin tropical music with bold infusions of psychedelia, dub, minimalism since 2010.

Bob Mould      Here We Go Crazy    

“On the surface, this is a group of straightforward guitar pop songs. I’m refining my primary sound and style through simplicity, brevity, and clarity, “Mould says, “Under the hood, there’s a number of contrasting themes. Control and chaos, hypervigilance and helplessness, uncertainly and unconditional love.”

Raging Speedhorn    Night Wolf      

Ten tracks of the sextet’s ferocious, riff-centred metal that’s packed with strength, power, and, ultimately, song-driven groove.

Sasami              Blood on the Silver Screen

The polymath combines her classical conservatory-trained skills as a player, producer, and composer with her fearless and bombastic stage persona to create her most realized music to date: the all-out SASAMI pop record.

Destruction   Birth of Malice            

A tight metal-machine, switching between ruthless thrash and pounding melodic moments.

Smith/Kotzen               Black Light/White Noise     

It features stratospheric guitar solos and raw, bluesy vocals as well as soulful touches and intricate playing.

Skloss                                The Pattern Speaks 

Austin/Glasgow duo blends heavy psychedelia, post-metal drones, meditative drums, and raw distorted riffs.

Da Googie + Cara Tivey         The Golden Thread  

A record of seemingly contradictory sonic elements: thick-but-minimal soundscapes, dub’s openness put across in a densely claustrophobic style reminiscent of My Bloody Valentine, a bass-driven sound melding effortlessly into moments of delicate piano, and lyrics that convey depths of meaning with a mere handful of words.

Moreish Idols               All in the Game           

Produced by Dan Carey, the album nods to Sonic Youth, Watery, Domestic-era Pavement and nineties-era Flying Nun releases.

Patrick Shiroishi & Piotr Kurek        Greyhound Days       

Pieces for tenor saxophone and digital keyboard, accented by traces of additional instruments, balancing between spontaneity and intention.

Housewife      Girl of the Hour EP   

Continuing the sprawling indie-pop energy Housewife has become known for.

Violeta Garcia              In / Out             

Cellist, composer and curator from Buenos Aires, Argentina, based in Bern, Switzerland. Working across a broad spectrum of artforms including improvisation, contemporary classical and electronic music.

Edge of Paradise        Prophecy        

Cinematic metal band rage against the existential crisis of what is commonly known as “The Singularity,” the prophesized moment in time in which humanity loses control of artificial intelligence, leading to potentially cataclysmic shifts to life as we know it.

Kaiser                 2nd Sound      

Finnish stoner rock group with a fuzz-drenched journey inspired by the likes of Kyuss, Sleep, and High on Fire.

Killerstar         Live at the 100 Club

A 2024 gig featuring a line-up on the night led by core KillerStar duo Rob Fleming (vocals/guitar) and James Sedge (drums) alongside renowned David Bowie collaborators Mike Garson, Mark Plati (bass), Kevin Armstrong (guitar) and Emm Gryner (backing vocals). They were joined by Dom Beken (synths, also of Nick Mason’s Saucerful of Secrets) and Ulrika Bergelind (backing vocals, James Bay) along with Simon Bates on Sax.

March of Scylla          Andromeda   

French progressive band with gravity distorting riffs.

The Tubs           Cotton Crown             

A kaleidoscopic range of influences: everything from soulful pub rock to Husker Du aggression to melancholy Smiths-like pop gets a look in.

Ella Jinks          The In Between EP   

Songwriter whose bluesy, soulful indie-folk singer-songwriter style possesses a timelessness which echoes influences such as Laura Marling, Joni Mitchell and Lianne La Havas.

Lake     Bucolic Gone               

A work of sophisti-pop that embodies an adult, contemporary sound—intimate, serene, mournful, and hopeful in equal measure.

Lust For Youth & Croatian Amor     All Worlds      

The album marks a shift in tone, moving away from Lust For Youth’s synth-driven post-punk roots. Instead, ‘All Worlds’ embraces a dance-oriented aesthetic, weaving pulsating rhythms and techno-inspired motifs with layered vocal samples.

Frog Eyes         The Open Up

The Canadian band’s tenth album consists of huffy-puffy rock and roll, open-ended mid- tempo dreaminess, sad and soft love songs.

Jerzy Mączyński          DO 555PS       

Saxophonist and producer Jerzy Mączyński fuses utopian electronics and organic improvisation on a sci-fi jazz odyssey.

Kinski                 Stumbledown Terrace          

This release continues their exploration of heavy, provocative guitar-driven songs, sonorous rhythms, and emotional release.

Black Foxxes                 The Haar         

Their sound intertwines the raw emotion of grunge, the accessibility of indie rock, and the poignant storytelling of Americana.

Baby Said        BS        

Portsmouth-based Italian/Punjabi sisters inspired by Maneskin.

Guiltless          Teeth to Sky  

Debut album from a band born from a love of experimental rock, noise rock, early industrial, sludge, and doom.

Lady Gaga       Mayhem          

It marks a return to Gaga’s pop roots. The album explores themes of chaos and transformation, celebrating music’s power to unite, provoke, and heal.

Oh My Sun      Apocalypse Baby      

A London-based duo centred around a return to analogue life and organic songwriting harkening back to the golden era of 70s songwriting with a contemporary twist.

Earth Ball        Actual Earth Music – Volume 1 & 2              

Two caustic yet alluringly unreal live sets from Canadian noise-rock entropy hunters.

Takuro Okada               The Near End, The Dark Night, The County Line

Ambient guitarist whose album contains selections from the expansive archive of recorded material Okada has amassed over the past decade.

Kilimanjaro    Makalelo         

EP from London-based Zambian/Scottish producer with distinctive afro-centric rhythms and melodies.

Turbo Diesel                  Turbo Diesel 

The new project from Lewis Sharman, formerly of Sheffield fuzz rockers Best Friends (FatCat Records, Art is Hard). Backed by a heavy rhythm section of Ben Chapman (Knorke) and Rory Loveless (Drenge), Turbo Diesel channel an uneasy and distorted pop sensibility.

Agender            Berserk            

A quartet that makes schizo, synthy, paranoid, post-punk with a dash of dysmorphic desire.

Franc Moody                 Chewing the Fat        

This duo, steeped in the gravelly realism of 1950s blues, jump and swing, sure know their Wynonie Harris’s from their Dave Bartholomews. After trying to be jazzers, bluesmen and various stripes of heritage Americana, thanks to Jon’s growing interest in the bottomless world of synthesisers, they decided to get contemporary.

Pale Blue Eyes             New Place     

The indie band’s third album reflects the end of an era and embracing new beginnings.

Whitechapel Hymns in Dissonance           

Band that has “attempted to write our heaviest album to date. We wanted to put out something that was shockingly menacing and brutal.”