Album Review: Beirut – The Rip Tide

Beirut (aka Zack Condon) is quite the peculiarity.  His song writing technique is tantamount to musical colonialism (with all the positive and negative connotations involved) as he claims and manipulates great swathes of sovereign musical territory, and bedecks them with layers of semi-operatic baritone. On Gulag Orkestar he gobbled up much of Eastern Europe; on […]